Archive for Asian Dramas

Tada, Kimi wo Aishiteru

This movie actually knocked some tears out of me. Some.

Tada, Kimi wo Aishiteru (Just, Loving You) is the story of a young freshman college student named Makoto. From the start you can see that he has some problems with being around people–he believes that the medicine he uses for a scratch on his torso smells, and so he shies away from many people. However, it’s all in his head because he went to his doctor, who claims that the medicine has no bad smell at all. In fact, the strong smell he believes is coming from him is probably coming from a factory that is close to the university he attends.

We first see Makoto on a New York MTA bus heading towards Manhattan. It’s around Christmas time and he seems to be talking to someone in the narration. Makoto seems excited about the visit, but before we see why he’s in New York in the first place, we go back a few years to when it all began.

So enough of that. The thing is that Makoto is skipping out on the opening ceremony that day. Upon walking, he sees that a young woman is standing with her arm raised, waiting to cross a busy street. No one is stopping, however, and yet she doesn’t give up. Makoto walks up to the young woman and points out that because the students who cross the street a little further ahead never let the cars pass through, none of the drivers passing by would stop. Instead, he tells her, cross the street a little further up, where the drivers were guaranteed to stop. The girl thanks him and explains that she is late for the ceremony Makoto is supposed be at. So, these two will be classmates. Makoto walks away and the girl continues to stand there with her arm raised. Makoto turns to look at her, wondering why she didn’t just take his advice, and she turns to look at him. She smiles and says, “Don’t worry, I just want to figure something out.” She says that she wants to see if there’s anyone who’s kind enough to stop for her. Makoto begins to go away but stops, takes out his camera, and takes a picture of the odd young woman with thick short hair and glasses, who’s still waiting for someone to let her cross.

We learn later on that this girl is Shizuru, and is in Makoto’s classes. She and Makoto quickly become friends, although you are able to see that Makoto is quite reluctant Shizuru explains to Makoto that the reason for her being so small and child-like is because she is lacking a growth hormone, and she even goes on to say that she has baby teeth in the back of her mouth.

Around this time Makoto has taken an interest in Miyuki, a beautiful girl in his class that is always surrounded by her friends. She seems to also acknowledge him and one day while sitting alone in the cafeteria waiting for Shizuru to arrive, Makoto is invited to Miyuki’s lunch table by Miyuki herself. Taking the chance to sit next to her, Makoto quickly switches tables, and a few moments later Shizuru arrives. After seeing that Makoto has somewhat ditched her, Shizuru sits by herself and her camera.

There is also a forest that Makoto discovers. It is somewhat forbidden, since there is a gate and a sign that says not to enter. The forest is actually very serene-looking, which I guess Makoto also likes, and so he decides to go there often. It’s not surprise when Shizuru follows him to the forest one day, where the two of them begin to take pictures. This reminds me of a hideout little kids have, where a group of friends meet and know that it is their own little secret. Well, Shizuru is careful not to grow up.

One day, after getting closer to Miyuki, Makoto brings her to the forest, which upsets Shizuru. She confronts Makoto, claiming that she thought the forest was only “their place”. She leaves in a huff, leaving Makoto alone.

It is the very next day when Shizuru walks up to Miyuki, who seems to be indulged in reading something, and asks if she can sit at her table (in the library). Miyuki, without looking up, agrees, and it’s only until Shizuru has sat down that she realizes who has joined her. So Miyuki tries to say something, but Shizuru merely pushes the book she’s reading up to her face and ignores her. Miyuki stops trying and instead goes back to reading or writing. Shizuru notices the necklace Miyuki’s wearing and suddenly yells out the name of it, and that’s how their friendship begins.

Makoto sees the two sitting outside soon afterwards. They are excitedly talking about the necklace and other stones when Makoto suddenly pulls Shizuru to the side, expressing his confusion. He asked why Shizuru was so happy with Miyuki now when just yesterday she was angry at her. Shizuru goes on to say that she wasn’t exactly mad at Miyuki, but I believe she was angry towards Makoto.

So the friendship begins. Shizuru soon begins to go over Makoto’s humble abode and the two spend their time taking pictures and producing them in the dark room Makoto has in his apartment. Soon enough, after claiming that she was involved in an argument with her father, Shizuru moves in with Makoto. Still knowing that he was in love with Miyuki, Shizuru tells Makoto that one day she will grow up and become beautiful. She’s upset at him (although I am not sure if she was just kidding) after he rejected her sexual advances (they were extremely mild, so no worries. It was actually more comical than explicit) and goes to sleep in the living room.

Let’s skip to the day when Shizuru asks Makoto for her birthday present. I think it’s her birthday, but I am not completely sure. Well, they are both in the forbidden forest with Shizuru’s camera. Makoto already knows what Shizuru wants–a kiss. So setting up the camera, Shizuru holds the device that allows her to take the picture in her hand while slowly kissing Makoto. The picture is taken and their first kiss is over.

And then Shizuru disappears.

We later find out that she is in New York. She has become a photographer and her pictures are going to be on display in a gallery in New York. The reason why Makoto was in New York was to meet up with Shizuru, but Miyuki (who also moved to New York because of her job) tells Makoto that Shizuru had to go to L.A. and although she really wanted to see him, it was inevitable. So a saddened Makoto decides to go out to New York and see the sights. He sees everything a tourist is supposed to see for the day and ends up having quite a lot of fun.

But then, later at night when Miyuki isn’t home yet, a call comes from Shizuru’s father. He leaves a message, telling her that he is thankful for everything she has done for his daughter, and that’s when Makoto, who is listening to the message, discovers a terrible truth.

 

I’m keeping tight-lipped about what the horrible truth was because then it will spoil the movie. If anyone wants to see it, you can see it at adc-distro.com. Unfortunately mysoju is down for some odd reason and that is where I first found the movie, but adc-distro also has the movie (along with many other dramas and movies mysoju had as well).

So you all have my word. This movie is pretty touching as you watch Makoto slowly come out of his shell while Shizuru grows up herself. It’s definitely touching and definitely on my top list of movies to watch!

Leave a Comment

Kurosagi: The Movie

I had the pleasure of watching the long-awaited dorama-turned-into-a-movie. Yes, Yamashita Tomohisa is back, along with a pretty intriguing storyline. Since I heavily spoiled my last post, those who want to to watch it, you can go to mysoju.com and search for it. I won’t spoil the story this time, so no worries.

Although the plot was great, the romance in it was barely existent. There were a couple of Yamaki scenes, but Horikita Maki didn’t play such a big role this time. Kurosaki also seemed lenient towards Tsurara (Horikita’s character) because she was no longer snooping around and scolding him, telling him the way he should live. No, instead Tsurara was busy helping Yukari (her best friend turned worst enemy turned best friend) with her Shakespearean play. Of course, my favorite part was when Kurosaki tried to fool Tsurara by dressing up as some salesperson. He was creeping her out of course, and poor Tsurara was trying to shut the door. Once she figured out it was Kurosaki, though, she pulled the door too hard and I think she hit him in the nose. Maybe it’s just me, but I think Kurosaki was acting a bit like Akira from NwP. I don’t know–maybe it’s just me. Oh yeah, one more thing: Shakespeare plays a pretty big part in the movie, too.

So if anyone’s interested in watching the Kurosagi movie, go to mysoju.com. Don’t worry, it’s completely subbed, so everything works out fine.

Leave a Comment

Byakuyako: The Story of Two Star-Crossed Lovers

Like I mentioned in my last post, I have watched Byakuyako, a story about two kids–now grown up–who are in love with each other but they cannot display their love in public in fear of getting caught by the police. Now, if you haven’t heard of Byakuyako before or if you haven’t watched it, the storyline may seem a bit confusing. Allow me to summarize.

(MAJOR SPOILERS. AND I MEAN MAJOR)

Ryouji is a young boy–I’d say about eleven years of age–whose father is the owner of a pawn shop. Ryouji’s mother seems to be the type of woman who is mostly interested in material things. She is always well-dressed and you don’t see much of a relationship between mother and son in the beginning. So, walking home one day, Ryouji sees a girl who is sitting near a creek. She looks like she is thinking about something, and notices Ryouji. Their eyes meet momentarily but she goes back to what she was doing, biting her nail and ignoring Ryouji.

Ryouji, the viewer can see, is now infatuated with the girl and runs home. The next time they meet is at the library and after some shyness on Ryouji’s part, the two of them begin to speak and quickly become friends. Now here’s one part that I didn’t really like. In one of the scenes, Ryouji and the girl, Yukiho, are playing in the street late one night (their parents are such great parents, aren’t they?) when Yukiho turns Ryouji towards the street and pushes him onto it, claiming that what he was going to do was going to be fun. Well, it turns out that she wanted him to run into the street, stand there, and pray that a car won’t hit him. A large semi comes towards Ryouji and the poor kid looks like he’s about to pass out. The truck luckily dodges him, and Ryouji is left somewhat breathless, still not believing what had occurred. And then Yukiho begins to laugh, as if it was hysterical. This is when I began to dislike Yukiho’s character. Call me judgemental, but I think the girl has mental problems…

Skip to the part in which Ryouji’s father discovers the truth about his son’s first love. The man forbids him to ever see Yukiho again during dinner that same night, giving the excuse that Yukiho’s mother is a dirty and horrible customer of his pawn shop. Ryouji goes on to say that although her mother acts like that, Yukiho has nothing to do with it. Ryouji’s father bursts and sends him out of the house. This little explosion caused my suspicion to rise–it wasn’t as if Ryouji had said something bad, right? It was the plain truth…

So Ryouji goes to find Yukiho. He finally does, and he tries to take her hand, but Yukiho also explodes, yelling at him and telling him to never touch her again and that it was disgusting. Poor Ryouji, thinking that it was because of his sweaty hands, goes off to sulk. Then, one night he sees Yukiho being pulled forcefully by her mother into a small alley. Ryouji follows them inside what seems to be an abandoned half-built building, hides until Yukiho’s mother has gone, and sneaks into an air vent once he realizes that the room Yukiho is in is locked.

Once he manages to get a peek of the room through the air vent, Ryouji is shocked to discover exactly why his father never wanted him and Yukiho to see each other. The old man turns out to be a pervert. A pedophile, you could say. He has Yukiho naked while she lays on a table. Ryouji’s father is taking picture after picture of Yukiho, and that’s all you see for a moment until Ryouji climbs down from the vent and gets his father’s attention, asking him what he was doing. While Ryouji’s father tries to explain (in a pretty sad manner), Ryouji takes a pair of scissors and stabs his old man in the gut.

Yukiho, now fully dressed, goes over to Ryouji and convinces him that it was she who killed his father. She told him that she had killed him in her mind over and over, and so she should take the blame. They then promised each other to meet again years later, but for now they would have to pretend as if they didn’t know each other in fear of the police catching on to them.

That’s exactly what happens. Every memory Yukiho holds of Ryouji she destroys. Enter the detective, who is trying to track down who the murderer is. He is either great at his job or way too paranoid, because he begins to believe that the murderers may just be the kids. Yukiho’s mother isn’t a good mother at all (as one could see…she’s purposely selling her daughter’s body so that a pedophile could take pictures of it for money) is a prime suspect of the murder. Yukiho ultimately decides to stage a suicide that was supposedly her mother’s action. I think she leaks the gas and her mother does die, but Yukiho–who also wanted to die–is saved and is sent off to live with a woman from a different town to start a new life.

Years later Yukiho and Ryouji meet once more. It is seven years earlier than they had planned (they planned to meet fifteen years later I think) and they’re happy to see each other once more. However, they must part ways and continue on as if the bittersweet reunion never occurred.

Once you lie, you have to continue lying. Since Yukiho’s and Ryouji’s first lie, their entire lives have also beens lies. They desperately want to be together, but with the detective and the police hot on their trail, they can’t afford to do so. Finally after fifteen years, Yukiho and Ryouji meet once more, but this time they’re going to have to get out of the tangled web once and for all if they truly want to be together.

If you ask me, I think they should’ve just admitted to the crime when they were kids. I mean, when you’re a child the law is usually softer on you, right? But now that they are older, Yukiho and Ryouji are knee-deep in crap. Plus, that detective seems to have no life! I mean, fifteen years after the murder happened and he’s still trying to investigate?! Oh God!

So this is what basically has happened. There’s no way I’m spoiling the ending…I have spoiled much of the story and I can’t afford to spoil more. It is a great dorama, and Yamada Takayuki makes it even better! So I’ll provide the actors who played Yukiho and Ryouji now:

Izumisawa Yuuki as Young Kirihara Ryouji

Yamada Takayuki as Kirikara Ryouji

Fukuda Mayuko as Young Nishimoto (Karasawa) Yukiho

Ayase Haruka as Karasawa Yukiho

For more info on the cast or episodes, you can visit www.wiki.d-addicts.com/Byakuyako.

Leave a Comment

Dorama Junkie/Yamaki Fan

My first post will begin with me admitting something about myself.

I am a self-proclaimed dorama junkie. I have watched many Asian dramas so far, ranging from the happy, hard-to-believe Taiwanese drama Brown Sugar Macchiato to the much more serious Japanese drama Byakuyako.

And then comes my love for Yamaki. Out of all the dramas I have watched, Nobuta wo Produce and Kurosagi have been my favorites. Why? Well, because of the fact that Yamashita Tomohisa and Horikita Maki both act as the main characters. Their chemistry is really good–throughout NwP I couldn’t help but somewhat ignore Kame and just focus on Akira and Nobuta’s moments. Same goes for Kurosagi.

Time to get realistic, though. There’s a pretty slim chance that these two will ever actually get together. I’m not saying it might not happen, I’m just saying that it would be hard for these two. For one, Yamapi is part of Johnny’s, which has a strict no-girlfriend policy. Does that mean everyone follos it? Not exactly. So there’s hope. Then comes the fact that Yamapi has mentioned that he likes “exotic-looking” women and that he and Akanishi Jin have the same tastes. Horikita Maki is really pretty and really cute, but exotic? Hmmm…

Who knows? When you feel like you’re falling for someone and they don’t meet your standards, a lot of people think “screw it” and chase after them. There have been some cute Yamaki moments during interviews and such, but nothing drastic (which clearly makes me sad). I watched a small portion of an interview Yamapi and Maki had I believe before the release of Kurosagi the Movie, and in this interview (like many others) the hosts were beginning to ask more personal questions, such as “Do you think so-and-so is handsome?” Maki was asked a question similar to this, but she only smiled and said that she thought Yamapi was very cool. Yamapi seemed a little embarrassed when this was said, and all I could do was wait for more, only to be disappointed when I realized that the little moment was all I was going to get. Maki has said before that she can’t see her co-workers in any other light…but is that what her heart is telling her? He he he he…

I just hope that these two will work together again. Like I said before, Yamapi and Horikita Maki have great on-screen chemistry. They made the dramas so interesting…and the sexual tension during that small clip when Maki was somewhat trapped by Yamapi during the Kurosagi movie! Ugh, it just about made me melt…

Leave a Comment